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Characters Characters

Admiral Isoroku Yamamoto

Historic
Commander-in-Chief, Japanese Fleet

Based on the real Admiral Yamamoto. Sō Yamamura portrays his strategic role in planning the attack and his known reluctance about a prolonged war with the U.S., reflecting historical understanding.

Admiral Chūichi Nagumo

Historic
Commander, Pearl Harbor Strike Force

Based on the real Admiral Nagumo, accurately depicted leading the carrier strike force.

Commander Mitsuo Fuchida

Historic
Lead pilot of the first attack wave

Based on the real Commander Fuchida, accurately shown leading the air attack and sending the famous "Tora! Tora! Tora!" signal indicating surprise was achieved.

Commander Minoru Genda

Historic
Key planner of the Pearl Harbor attack

Based on the real Commander Genda, accurately depicted as one of the primary architects of the attack plan under Yamamoto. Genda served as a technical advisor for the film.

Admiral Husband E. Kimmel

Historic
Commander-in-Chief, U.S. Pacific Fleet

Based on the real Admiral Kimmel. Martin Balsam portrays him as the commander in Pearl Harbor caught by surprise, reflecting the historical situation and subsequent controversy/scapegoating.

Lt. General Walter C. Short

Historic
Commanding General, U.S. Army Hawaii

Based on the real General Short. Jason Robards portrays him as the Army commander responsible for Hawaii's defense, focusing anti-sabotage measures over invasion threat, reflecting historical errors.

More characters

Col. Rufus S. Bratton

Historic
Chief, Far Eastern Section, US Intel.

Based on the real Colonel Bratton. E.G. Marshall accurately portrays his role in Army intelligence, dealing with decoded Japanese messages (MAGIC) and difficulties getting warnings through.

Lt. Cmdr. Alvin D. Kramer

Historic
Head, Translation Section, USN Intel.

Based on the real Lt. Cmdr. Kramer. Wesley Addy accurately portrays his role in Navy intelligence, translating MAGIC intercepts and facing bureaucratic delays.

Cordell Hull

Historic
U.S. Secretary of State

Based on the real Cordell Hull, accurately depicted dealing with Japanese ambassadors Nomura and Kurusu during tense final negotiations.

Henry L. Stimson

Historic
U.S. Secretary of War

Based on the real Henry Stimson, accurately shown as part of the Washington leadership aware of escalating tensions. Played by Joseph Cotten.

Admiral William F. Halsey Jr.

Historic
U.S. Navy Admiral

Based on the real Admiral Halsey. James Whitmore portrays him accurately as being away from Pearl Harbor on a mission during the attack, a crucial factor in the survival of US carriers.

Ambassador Kichisaburō Nomura

Historic
Japanese Ambassador to the U.S.

Based on the real Ambassador Nomura, accurately depicted engaging in futile last-minute diplomacy in Washington D.C.

Saburō Kurusu

Historic
Japanese Special Envoy to the U.S.

Based on the real Saburō Kurusu, sent to assist Nomura in negotiations, accurately shown being involved in the delivery of the delayed 14-part message.

Story Story

Japanese strategic planning for Pearl Harbor attack

Good depiction

Accurately depicts the internal debates, meticulous planning (led by Yamamoto, Genda), training, and secrecy involved in preparing the surprise attack.

US-Japan diplomatic negotiations failing

True

Accurately portrays the breakdown of diplomatic talks in Washington D.C. in the months and days leading up to the attack, including the roles of Hull, Nomura, and Kurusu.

US decoding Japanese diplomatic messages (MAGIC)

True

Accurately shows the US success in breaking Japanese diplomatic codes (MAGIC) but highlights the failure to correctly interpret or act decisively upon the intelligence gathered.

Bureaucratic delays / Intelligence failures (US)

True

A central theme accurately depicted: communication delays, inter-service rivalry, misinterpretation of warnings, and underestimation of Japanese capabilities contributed significantly to the US unpreparedness.

Delay in delivering Japan's 14-part message

True

Accurately shows the crucial delay in decoding and delivering Japan's final message (breaking off negotiations) to US officials until after the attack had already begun.

USS Ward sinks Japanese midget submarine

True

Accurately depicts the destroyer USS Ward detecting and sinking a Japanese midget submarine trying to enter Pearl Harbor just hours before the main air attack.

Opana Point Radar detects incoming planes

True

Accurately portrays the new US Army radar station detecting the Japanese planes but the warning being dismissed by an inexperienced officer as likely B-17s arriving from the mainland.

Kimmel/Short focus on sabotage, not air attack

True

Accurately depicts the US commanders in Hawaii focusing defensive measures against sabotage (e.g., bunching planes together), underestimating the possibility of a large-scale air attack.

The air attack sequence (December 7, 1941)

Good depiction

The film meticulously recreates the two waves of the Japanese air attack, showing the types of planes, specific targets (Battleship Row, airfields), and the sequence of events with notable accuracy.

Destruction of US battleships and aircraft

True

Accurately portrays the devastating losses inflicted, including the sinking/damage of major battleships (like the USS Arizona) and the destruction of numerous aircraft on the ground.

Limited US air defense response

True

Accurately shows that only a few US fighter pilots (like Welch and Taylor, though not explicitly named in the film) managed to get airborne and engage the attackers amidst the chaos.

Yamamoto's "Sleeping Giant" quote

False

The famous line attributed to Yamamoto ("I fear all we have done is to awaken a sleeping giant...") is likely apocryphal, probably invented for this film, though it reflects his known private concerns.

Fuchida's "Tora! Tora! Tora!" signal

True

Accurately depicts Commander Fuchida sending the code signal "Tora! Tora! Tora!" (Tiger! Tiger! Tiger!) signifying that complete surprise had been achieved in the attack.

Deliberate plane crash into hangar

Partly true

The specific scene of a damaged Japanese plane deliberately crashing into a hangar is a composite/dramatization of several actual crashes that occurred during the attack, though not necessarily intentional kamikaze acts.

Setting Setting

Pearl Harbor Naval Base, Hawaii (December 1941)

Good depiction

Meticulously recreated the layout and appearance of the base, including Battleship Row, Ford Island, and surrounding airfields, using detailed models, sets, and filming near Pearl Harbor where possible.

Washington D.C. (Diplomatic / Govt Buildings)

Good depiction

Accurately portrays the settings for diplomatic negotiations (State Department) and military/intelligence offices relevant to the events leading up to the attack.

Japanese Fleet / Aircraft Carriers

Good depiction

Used US Navy carriers (like USS Yorktown) modified to resemble Japanese carriers (like Akagi) for launch sequences, providing a high degree of visual accuracy for the time.

Aircraft (Japanese Zero, Kate, Val; US P-40, B-17)

Good depiction

Utilized numerous real and modified aircraft (e.g., T-6 Texans converted to look like Zeros, Vals, Kates; real P-40s and B-17s) to accurately represent the planes involved on both sides.

Military Uniforms (US Navy/Army, IJN)

Good depiction

Costumes accurately reflect the service uniforms, flight gear, and insignia for both American and Japanese military personnel in 1941.

Pre-Attack atmosphere in Hawaii

Good depiction

Captures the sense of routine and relative unpreparedness at the naval base and airfields on the morning of Sunday, December 7th, highlighting the element of surprise.

Attack visual effects / Destruction portrayal

Good depiction

Employed large-scale practical special effects (for its time) to realistically depict the explosions, sinking ships, and destruction during the attack sequence, winning an Oscar for Visual Effects.

Use of real locations / Replicas

Good depiction

Combined filming at actual Pearl Harbor locations with detailed sets and miniatures (like a full-scale replica section of the battleship Nagato) to achieve a high level of visual authenticity.