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Characters Characters

Henry Hill

Historic
Narrator, ambitious mob associate

Based directly on the real Henry Hill, whose life story forms the basis of the film. His rise, crimes, drug dealing, and entry into witness protection are accurately portrayed.

Jimmy Conway

Historic
Charismatic, ruthless heist mastermind

Based on James "Jimmy the Gent" Burke. The film accurately captures his charm, intelligence, paranoia, and role in the Lufthansa heist and subsequent murders. Name changed for legal reasons.

Tommy DeVito

Historic
Volatile, extremely violent psychopath

Based on Thomas "Two-Gun Tommy" DeSimone. His notorious temper, violent acts (like the Billy Batts murder), and eventual disappearance/murder are accurately depicted. Name changed.

Paul Cicero (Paulie)

Historic
Powerful, quiet, neighborhood capo

Based on Paul Vario, a Lucchese crime family capo and mentor to the crew. His authority, business dealings (like JFK airport), and disdain for drugs are accurately shown. Name changed.

Karen Hill

Historic
Henry's wife, drawn into and out of mob life

Based on Henry's real wife, Karen Friedman Hill. Her perspective, initial attraction, struggles, involvement in drug dealing, and cooperation with authorities are accurately portrayed.

Billy Batts

Historic
Made man murdered by Tommy & Jimmy

Based on William "Billy Batts" Bentvena, a real Gambino family soldier. His murder following an insult to Tommy DeSimone is a factual, accurately depicted event.

More characters

Frank Carbone

Historic
Lufthansa heist participant, later murdered

Based on Angelo Sepe, a real associate involved in the Lufthansa heist who was killed on Burke's orders.

Stacks Edwards

Historic
Heist participant, killed for mistake

Based on Parnell "Stacks" Edwards, the associate who failed to dispose of the heist truck and was subsequently murdered by Tommy/DeSimone.

Morrie Kessler

Historic
Wig shop owner, Lufthansa informant

Based on Martin Krugman, who provided the tip-off for the Lufthansa heist and was later murdered by Burke's crew for his persistent demands for money.

Frenchy

Historic
Associate involved in truck hijackings

Based on Robert "Frenchy" McMahon, a real associate involved in hijacking operations with the crew.

Sonny Bunz

Historic
Owner of the Bamboo Lounge

Based on Angelo McConnach, the real owner of the Bamboo Lounge, a frequent hangout for the crew.

Anthony Stabile

Historic
Associate involved in drug dealing

Based on a real associate involved in Henry Hill's drug operation.

Story Story

Henry's teenage entry into Vario crew work (1950s)

True

Accurately portrays Henry Hill being drawn to the local mobsters in East New York, Brooklyn, and starting work for Paul Vario's crew as a youth.

Involvement in truck hijackings around Idlewild/JFK

True

The crew, particularly Burke's faction under Vario, was heavily involved in cargo theft and hijacking around the airport throughout the 1960s and 70s.

Air France Robbery (1967)

True

Henry Hill and Tommy DeSimone were key figures in this earlier, significant heist at JFK airport, netting around $420,000.

Copacabana long take scene

Good depiction

While a cinematic device, it accurately reflects the power, access, and VIP treatment mob figures like Henry Hill received in certain establishments due to their connections and money.

Murder of Billy Batts (Gambino made man)

True

The brutal murder of William Bentvena by Tommy DeSimone (instigated by an insult) and Jimmy Burke, and the subsequent disposal of the body, happened largely as depicted.

Lufthansa Heist planning and execution (Dec 1978)

True

Accurately depicts the largest cash robbery in US history at the time, masterminded by Jimmy Burke based on inside information, netting nearly $6 million.

Jimmy orders murders of heist participants

True

Jimmy Burke became paranoid after the heist and systematically had many participants killed (Stacks Edwards, Morrie Kessler, etc.) to prevent them from talking, as shown in the film.

Tommy DeVito's murder ("getting made" setup)

True

Tommy DeSimone disappeared and was presumed murdered, likely in retaliation for killing Billy Batts without permission. The film's depiction of him being lured to his death is accurate.

Henry's increasing involvement in cocaine trafficking

True

Despite Paul Vario forbidding drug dealing, Henry Hill built a large cocaine business, leading to his downfall and increased paranoia.

Henry's paranoia and chaotic arrest (1980)

True

The film accurately portrays the intense pressure, drug use, and constant juggling leading up to Hill's arrest on narcotics charges by federal agents conducting surveillance (the helicopter).

Paulie Cicero abandoning Henry after drug arrest

True

Paul Vario disowned Henry Hill after his drug arrest, adhering to Mafia rules against drug dealing and cooperation with authorities.

Henry deciding to become an informant / enter WITSEC

True

Facing prison time and fearing for his life (believing Jimmy Burke would have him killed), Henry Hill agreed to testify against Burke and Vario, entering the Witness Protection Program.

Depiction of prison life for mobsters

True

The scenes showing relative comfort (cooking special meals, bribing guards) reflect privileges powerful mob figures like Paul Vario could obtain in prison during that era.

Karen Hill's involvement and perspective

True

The film accurately incorporates Karen's viewpoint, her complicity in Henry's crimes (especially drugs), and her fear, based on her contributions to the book "Wiseguy".

Setting Setting

New York Italian-American mob subculture (Lucchese)

Good depiction

Widely considered one of the most authentic cinematic portrayals of the day-to-day life, social rituals, codes, and atmosphere within a specific Mafia family's circle (Vario crew/Lucchese associates).

Period details across decades (50s, 60s, 70s, 80s)

Good depiction

Meticulously detailed period accuracy in clothing styles, cars, hairstyles, music, and interior design, effectively showing the passage of time and changing trends within the mob world.

Locations (Brooklyn/Queens neighborhoods, bars, clubs)

Good depiction

Realistically portrays the working-class neighborhoods, social clubs, specific bars (Bamboo Lounge), restaurants, and airport environments central to the crew's operations and social life.

Mob lifestyle (money, violence, camaraderie, food)

Good depiction

Accurately captures the blend of flashy wealth, sudden extreme violence, strong bonds within the crew (until betrayal), importance of food/cooking, and family life existing alongside criminality.

Language, dialogue, and narration

Good depiction

The use of specific slang, cadence, profanity, and Henry Hill's confessional narration style are highly authentic, drawn directly from Pileggi's extensive interviews and reporting.

Hierarchy and rules within the mob

Good depiction

Shows the structure (capo Paulie, associates Henry/Jimmy/Tommy), the concept of "made men," and unwritten rules (like the prohibition on members dealing drugs, respect protocols).

Casual integration of crime into everyday life

Good depiction

Effectively portrays how criminal activities like hijacking, loan-sharking, and violence were seamlessly integrated into the characters' seemingly normal family and social lives.