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Historical accuracy of A Knight's Tale

Poster

Characters

Not historic

Story

Not historic

Setting

Bad depiction

Historical accuracy of: A Knight's Tale

Characters

Not historic

Story

Not historic

Setting

Bad depiction
Poster

Characters

Not historic

William Thatcher/Sir Ulrich von Liechtenstein

Ambitious peasant turned knight

William Thatcher is a fictional character.

Not historic

Jocelyn

Noblewoman and love interest

Jocelyn is a fictional character.

Not historic

Wat

Loyal friend and fellow squire

Wat is a fictional character.

Not historic

Roland

Loyal friend and fellow squire

Roland is a fictional character.

Not historic

Kate the farrier

Skilled female blacksmith

Kate is a fictional character.

Not historic

Count Adhemar

Villainous French nobleman

Count Adhemar is a fictional character.

Partly historic

Geoffrey Chaucer

Writer and herald

Geoffrey Chaucer was a real historical figure, the author of "The Canterbury Tales." However, his portrayal as a gambling, nudist herald is highly anachronistic and comedic. While he did live during the time period, his involvement in the story is purely fictionalized.

Sir Ector

William's original master

Sir Ector is a character from Arthurian legend, but he is not a historical person.

Setting

False

Jousting with lances.

Jousting with lances as depicted did not emerge until later in the medieval period.

False

Plate armor.

The widespread use of full plate armor was not common during this era.

Partly true

Medieval social hierarchy.

While touching on social classes, the film takes liberties with historical accuracy.

Good depiction

Importance of heraldry.

The use of heraldry in the film is reasonably accurate for the period.

Bad depiction

Medieval music and dance.

The film incorporates anachronistic modern music and dance styles.

Probably false

Women's roles in tournaments.

Women's participation in jousting tournaments is unlikely in the way depicted.

Unfortunate omission

Living conditions of commoners.

The film focuses primarily on the nobility, neglecting the realities of medieval peasant life.

Unfortunate omission

Brutal nature of medieval combat.

The film romanticizes combat somewhat, minimizing the brutality and frequency of death.